Visit www.HearandPlayJazz.com for more... Are You "One Dimensional?" Who wants to be stuck playing the same chords and songs over and over again? I'...
Visit www.HearandPlayJazz.com for more… Are You “One Dimensional?” Who wants to be stuck playing the same chords and songs over and over again? I’m sure nobody… if they can help it. No one wants to be labeled by others as “one-dimensional”. And to be honest, knowing only one style of music is pretty boring. And as a musician, excitement and unpredictability is the name of the game! I mean, adding even just one style of music to your playing, especially one as vibrant as jazz, will have an exponential effect on you, forever. Heck, just being able to understand jazz will ignite your creative side and allow you to accelerate your improvisational skills that can be used to instill your own personal touch in literally everything you play… regardless of the genre. So without further ado… Visit http for more…
Visit www.HearandPlayJazz.com for more… Discover How to quickly and easily form tons of jazz chord patterns and runs that are guaranteed to have you standing out from the crowd. Accelerate your jazz learning curve by combining 3 secret elements that the pros don’t want you to know! How to ensure that no matter what voicings and blues licks you play, they’ll turn heads each and every time! The 7 secrets to playing signature solos like a pro from a pro! Visit www.HearandPlayJazz.com for more… Introducing The ALL-New Hear and Play Jazz 101 Series… The time is finally here! Learning to play jazz and being able to play an entirely different style of music has never been easier. No more having to struggle to learn jazz on your own. No more paying endless amounts of money for a private instructor just to tell you “you’ll get there soon.” Now, all you have to do is slip a DVD into your computer, laptop, or personal DVD player and learn literally everything you need to know to take your jazz piano playing to the next level. Now listen, you don’t have to go to jazz concerts anymore saying “I wish I could do that.” If you truly want to start playing jazz by ear right away, look no further. In this 2-hour, 2-disc set of step-by-step instruction, you’ll be taken by the hand and shown, step-by-step, how to master TONS of award-winning jazz tips, tricks, and techniques as well as signature soloing secrets that’ll have you sounding like a pro very soon. Visit http for more…
UrbanWorship.GospelKeyboard.com – Learn how to play piano in an Urban Contemporary Gospel Style. Learn different chords, how to end a song, how to replace a common chord and so much more!!!
tinyurl.com www.jazzpianolessons.com When I Fall in Love, written by Victor Young and Edward Heyman is a fantastic jazz piano ballad. It has been performed by countless artists the world over. Now it’s your chance to learn how to play this classic jazz standard along with melody and re-harmonization. In addition to learning the song, I’ll teach you how to re-harmonize the melody with new chords. Re-harmonization is a great way to add “spice” to your music by changing the chord progression and adding new tensions to the existing chords. I’ll show you my reharm techniques for When I Fall in Love.
Hi! This is a clip from my upcoming instructional dvd, “Unlocking the Keys.” This is a pretty simple clip for pretty simple people… nothing flashy, just smooth jazz for the beginner. The 4 hour instructional dvd will be available (at the latest) May of 2008, through Wheatworks Production Company (www.showmethat.com). It will cover secrets for the beginners as well as the advanced musicians. Thanks for the support, as it is my ultimate desire to keep pretty simple music both, pretty and simple!!! This dvd would not be possible without your support and GOD’S LOVE; Thanks again!!!
Visit www.HearandPlayJazz201.com or call 1-877-856-4187. James Wrubel, from the Hear And Play jazz 201 learning dvd, gives you a great inside look into some of his favorite professional chord progressions that can take your jazz playing to another level!It’s a few minutes of a mega multi-hour course on playing by ear (with no sheet music). James has played with jazz greats such as Brian Lynch, the late Jon Stubblefield, Leslie Drayton, Keith Fiddmont, the late Ronald Muldrow, Tim Green, Bijon Watson, Gilbert Castellanos, Kim Richmond, Roger Cairns, Matt Roberts, Nedra Wheeler, Raymond Pounds, Del Atkins, Yoron Israel, Eddie Palmieri, Arturo O’Farrill, Conrad Herwig, Jimmy Bosch, Bobby Sanabria, Jose Madera, Los Fakires, Graham Collier, George Lewis and many more! Discover How to overcome fear when it comes to improvising and learn what it takes to play runs, licks, and solos with ease. How to use the same exact system professional musicians use to solo with comfort and precision over any chord progression. How to avoid making the mistakes most musicians make when it comes to improvising and playing the right ideas over common chords. How to shortcut your way to professional status and sound amazing on the piano without years of training. Visit www.HearandPlayJazz201.com for much more… “You’ve Waited Long Enough! Start Soloing and Improvising Now!” Incorporate a special technique that’ll give you a very polished sound and guarantee that you’re the one shining up there …
www.mylessoncatalog.com This lesson follows the Standards in Three format. In fact, I’ve updated the format to now include a new section on Creating The Improvisation. Let’s go through the four steps to this lesson. Step One: Reharmonization & Arranging In this step, I teach you how to arrange the song using big jazz piano chords. You’ll also learn my steps to effectively re-harmonizing this song and others. With the skills you learn in this step, you are on your way to creating more rich arrangements on your own favorite pieces. Step Two: Learning The Arrangement Simply put, I will show you every note of the arrangement. After step one, I create and arrangement for the song, write it out and save it as both a MIDI file and PDF file (which you can download for free, of course). Now whether you read music or not, you will learn every single note of this arrangement because I 1) teach it slowly and 2) have a “virtual” on-screen keyboard that makes it easy for you to see every note that I am playing. Step Three: Creating The Improvisation In this new step, you can now see my “process” of creating an improvisation. It’s really like getting inside my brain for an hour while we create licks and phrases together. Now, this is not just creating a lick. This section is also designed to teach you improvisation skills that you can take across a variety of songs and styles. Step Four: Learning The Improvisation If you want a “less talk…more playing” section, well look no further …
This is my piano solo version of this nice tune.For stereo sound just go to: vids.myspace.com More informations. Autumn Leaves” is a much-recorded popular song. Originally a 1945 French song “Les feuilles mortes” (literally “Dead Leaves”) with music by Joseph Kosma and lyrics by poet Jacques Prévert, English lyrics were written in 1947 by the American songwriter Johnny Mercer. It has become a pop standard and a jazz standard in both languages, and as an instrumental. “Les feuilles mortes” was introduced by Yves Montand in 1946 for the film Les Portes de la Nuit.[1] The film Autumn Leaves (1956) starring Joan Crawford featured the song, which was sung by Nat King Cole over the title sequence. The French songwriter Serge Gainsbourg wrote “La chanson de Prévert” as a tribute to this song. About the composer: Kosma was born József Kozma in Budapest, where his parents taught stenography and typing. He had a brother, Akos. A maternal relative was the photographer László Moholy-Nagy, and another relative was the conductor Georg Solti. He started to play the piano at age 5, and later took piano lessons. At the age of 11, he wrote his first opera, Christmas in the Trenches. After completing his education at the Gymnasium Franz-Josef, he attended the Academy of Music in Budapest, where he studied with Leo Weiner. He also studied with Béla Bartók at the Liszt Academy. He earned diplomas in composition and conducting. He won a grant to study in Berlin in 1928. There, he met Lilli …
