This is a piece of basic blues put together with the more popular riffs out there, melted together in one piece of music for you to learn. Use this ...
This is a piece of basic blues put together with the more popular riffs out there, melted together in one piece of music for you to learn. Use this as something basic and once you get the hang of it, try improvising on it, people!
This is an exclusive Piano tutorial for the official song of World cup 2010 – Waving Flag by K’naan. I worked very hard on this video and I even took the time to make music sheet (this version of the song is better than my other video). Adapted from Brasilianmusician’s version. Sheet: www.megaupload.com
Visit www.HearandPlayJazz.com for more… Dear Fellow Musician, Let’s face it. Most musicians fail to reach professional “guru” status because they place themselves in a musical box. You see, they think just because they play one particular style of music, that they should only learn chords, patterns, and tricks from that same genre. Simply put, if they’re gospel musicians, they tend to buy only gospel courses. If they’re country musicians, they generally seek out country-related material. …and I’m not saying this is wrong. I’m just saying that it’s limiting. It’s like a basketball player refusing to train outside the gym because of a misconception that only track stars “run the bleachers.” Or a chef that only cooks chicken (…and never includes other dishes, cultures, meats, or flavors in their recipes). Personally, I think music is the same way. Good musicians pick a genre, learn everything about that one genre, and ultimately sound good in their “comfort” settings. Great musicians master several genres. They’re able to play in any setting, and most importantly, take things that are “commonplace” in one genre, and “sneak” them into another (…and usually wowing people while they’re at it). Being “good” is fine but in my opinion, good is the enemy of great. If you only want to be good, take my advice above and you’ll do “good” in certain environments. If you want to be great, however, keep reading everything I have to share with you on this page… Visit http for more…
www.motema.com “If you’re going to learn jazz, you should have something to bring. Cats don’t think about bringing much, they just want to see what they can get from the music. It’s a two way street.” – Marc Cary Hailed by Down Beat as one of the most, “multi-dimensional keyboard players on the scene today,” whose music reveals those multi-dimensions in sensual living color, Marc Cary’s continual search for his musical identity has brought him to all corners of the earth, quenching his thirst to bring forth indigenous musics in all of their forms. His latest offering on this journey is Focus Trio Live 2009, the follow up to his earlier live release, Focus Live 2008, which is available only digitally. This is the third album off Motéma Music for Marc. Recorded live at select festivals across Europe and the US, Focus Trio Live 2009 features Cary’s longstanding trio: on tabla and drums, Sameer Gupta and on bass, David Ewell, both of whom he met on the west coast. With inimitable style, Cary drives the trio towards hard-hitting turns, fusing together indigenous East Asian, Indian, African, and Native-American influences within the African-American blues and jazz traditions, as only a player with his undeniable talent can manage to do while simultaneously claiming new virtuosic territory. Marc Cary has earned four Grammy® nominations for his ensemble work, most recently in 2009 for “Best Contemporary Jazz Album” as a participant in Stefon Harris’s Blackout. His production work …
Detlef Ruttler shows you you the basics of Jazz how a play a good Jazz piano piece.
Extraña versión, sin garganta y sin recordar la letra. Producido por GraneroVídeo (Mil gracias).
ジャズピアノの要素練習の理解のためのデモビデオです。二重録音で今イチあっていないところはお許しください。基本的なジャズブルースボイシング、特にleft hand voicingは習得に時間がかかります。和音の選択も、タイミングもなかなか難しい。ここではその要素練習として全部で14コーラスのジャズブルースをデモします。１−２コーラス ベースと組み合わせた和音に慣れましょう。左手のベースラインをコピーします。３−４コーラス ルート音を入れたかなりリハモした和音に慣れましょう。5-6コーラス ベースとフロント楽器がいる場合の基本的な両手のバッキングです。7-8 ピアノのアドリブは実際にはこのようにやっています。（ベースがいないと変でしょう）。9コーラス ベースの音を加えたピアノのアドリブです。10コーラス ベース有り、フロント楽器アドリブ中のバッキング（low position 低い音域）、11コーラス ベースあり フロントアドリブ中（high potision 盛り上がって来た時 やや高い音域）12-14コーラス ピアノのアドリブ という構成です。 大切なことはまずベースラインが頭に入っていること、次いで、1-4コーラスの音に慣れること、目標は10-14コーラスが最終形になります。 がんばって耳コピーしましょう。 This is a demonstration video for understanding of the element exercise of the jazz piano. A basic jazz left hand voicing takes time for the acquisition in particular. The choice of the chord is very difficult in a timing, too. I demonstrate by the jazz blues of 14 choruses as the element exercise in all here. Will be used to the chord which it combined one or two chorus bases with. I copy the baseline of the left hand. Let’s fit the chord which …
For Stereo just go here: www.youtube.com . . . in the first part I have played the piano solo in the second part I added bass and drums, and you can also see the mini keyboards. I Remember Clifford is the name of a jazz threnody written by jazz tenor saxophone player Benny Golson in memory of Clifford Brown, the influential and highly-rated jazz trumpeter who died in an auto accident when he was only 25 years old; he and Golson had done a stint in Lionel Hampton’s band together. The song became an instant standard, as musicians paid tribute to Brown by recording their personal reading of it. Golson later said: [it] took me several weeks, but I’d never written a composition like it before. I wanted to create a melody that the public would remember, and associate it with [him]. I Remember Clifford is also the name of an album by Arturo Sandoval; the entire album is a tribute to Brown, who was a great influence on Sandoval, and features Golson’s tune. Clifford Brown (October 30, 1930 June 26, 1956), aka “Brownie,” was an influential and highly rated American jazz trumpeter. He died aged 25, leaving behind only four years’ worth of recordings. Nonetheless, he had a considerable influence on later jazz trumpet players, including Donald Byrd, Lee Morgan, Booker Little, Freddie Hubbard, Valery Ponomarev, and Wynton Marsalis.[1] He won the Down Beat critics’ poll for the ‘New Star of the Year’ in 1954; he was inducted into the Down Beat ‘Jazz Hall of Fame’ in 1972 in the critics …
Visit www.HearandPlayJazz.com Hear and Play Jazz 101 Clip Discover * How to quickly and easily form tons of jazz chord patterns and runs that are guaranteed to have you standing out from the crowd. * Accelerate your jazz learning curve by combining 3 secret elements that the pros don’t want you to know! * How to ensure that no matter what voicings and blues licks you play, they’ll turn heads each and every time! * The 7 secrets to playing signature solos like a pro from a pro! For more information, visit www.HearandPlayJazz.com or call 1-877-856-4187. go