I just threw together some ideas that I use for playing boogie woogie. Maybe someone will learn something.

A jazz piano improvisation tutorial based on A Foggy Day (chord progression below!), by George Gershwin. In this tutorial I look at basic jazz piano techniques such as creating complex chords, developing right hand runs and the different types of bass part and left hand you can use. My view of jazz piano and piano improvisation in general is that although it isn’t necessarily easy, it’s not some sort of God-given gift: you can learn the basics fairly easily, and after that it’s just a case of doing as much practice as you can to become fluent. It’s also really important to develop your own style: my approach to piano is quite blues oriented, and that’s really reflected in the way I play jazz, which is closer to mainstream and swing styles than to more contemporary “cool” styles. If you have any questions on this particular improvisation, or any other aspect of jazz piano, feel free to ask. By the way, here’s the chord progression so you can get straight to the keyboard and start improvising for yourself: F | Ebm | Gm7 | C | F | Abm7 | Gm7 | C | F | F7 | Bb | Bbm | F | D7 | Gm7 | C | F | Ebm | Gm7 | C | F | Abm7 | Gm7 | C | F | F7 | Bb | Bbm | F | Gm7 | F | Gm7 | Dm7 | G | Gm7 | C … One thing I don’t really mention in the video is that this is a pretty interesting chord progression to improvise on. There’s a reasonable amount of repetitition, and it’s in a reasonably easy key for pianists (F major). At the same time there are some really interesting chords that you can …

Diminished 7th Chords are fantastic. But, you need other chords in a song besides Diminished 7th chords. The thing about diminished 7th chords is that you can play any key in your right hand and it is going to sound great. You can’t go wrong. This is one of the secrets of playing jazz. Jazz musicians improvise…they just cut loose and play all kinds of notes….and somehow those notes blend with the song. Well, they are going off on a musical JOURNEY because they are playing their improvisations many times against the background of a DIMINISHED 7TH CHORD. There are other chords that you need to learn also like a minor 7th with a flatted 5th. To learn more about playing jazz piano and playing piano patterns check out my website: www.mypianoworld.com

This is a piece of basic blues put together with the more popular riffs out there, melted together in one piece of music for you to learn. Use this as something basic and once you get the hang of it, try improvising on it, people!

www.hessionsession.webs.com http www.artistopia.com New piano CD’s available as of April,2008. I first heard this piece at the age of 15 when I had recently departed classical lessons for the worlds of ragtime and New Orleans jazz. Waller’s own rendition intrigued me to the point that I obtained the LP, playing it over and over as I tried the figures out at the piano. My family hated me for this ……oh well! I was driven to work on “Handful of Keys”, as it was the first authentic “stride” solo that I had ever learned. It increased my growing interest in the historical development of jazz piano. Thanks to you, Fats! Years later when Martha and I were musical directors of Durango , Colo.’s Diamond Circle Theater we arranged a five part vocal arrangement that was performed for the summer season with great success. Hope you enjoy this rendition. This was recorded at Word of Mouth: Studio,June,2007. For the better part of 35 years Jim was a featured pianist at Disney World, Disneyland, New Orleans Square, The Grand Californian Hotel and Main St. USA. You could often find him at Coke Corner….1968-2003.

This is a short arrangement I came up with today, hope you like it. to download transciption visit www.freewebstore.org/Jazz-Piano-Transcriptions

“Memories of Summer”composed by Nakata Yosinao, was released in 1949. From now 60 years ago. Here we have as teaching jazz improvisation. Variations are aware of the improvisation when on the lef hand. Some have taken part in the right tempo. The dress is an excuse ugly Aug. 15. 2009 「夏の思い出」は 1949年に 中田喜直が作曲発表しました。 いまから60年前のことです。 ここではジャズのアドリブ教材として持ってきました。 アドリブの際の左手のバリエーションを意識しています。 右手でテンポをとっている部分もあります。 服装が見苦しいのはお許しを2009-8-15 自宅にて

Visit www.HearandPlayJazz201.com for more… James Wrubel, from the Hear And Play jazz 201 learning dvd, gives you a great inside look into the infamous bebop scale that can take your jazz playing to another level! It’s a few minutes of a mega multi-hour course on playing by ear (with…

Earl Hines gives a piano lesson while talking about his life as a musician

Take6.com With a staggering eighteen Grammy-Award nominations, Take 6 is the most nominated Gospel, Jazz, Pop or R&B artists in Grammy history. In the music industry, Take 6 is so universally recognized as simply being the best, that they have virtually owned Downbeat magazines readers poll having won Favorite Jazz Vocal Group 9 consecutive years. Take 6 has received some of its highest praise from the music industrys icons. Mega producer and longtime collaborator Quincy Jones, has described Take 6 as The baddest vocal cats on the planet. In their stellar career, they have been honored to perform with numerous music legends including Ella Fitzgerald, Miles Davis, David Foster, Al Jarreau, Stevie Wonder, Denyce Graves, The Yellowjackets and Wynton Marsalis among a host of others. The Take 6 style has also reached todays pop culture. Their musical style and tight harmonies have influenced pop groups from Boyz II Men and Backstreet Boys to *NSYNC. antcreations.com